Green Screen Video Production for Real Estate

01

Real Estate context

Developers and brokerages selling projects that often do not exist yet.

For real estate teams, green screen shoots sits inside an approval chain, not outside it. RERA registration details must appear in all marketing. We build that into the schedule rather than discovering it at the sign-off stage.

• Project films — briefed, scripted and delivered as a distinct asset rather than a cutdown afterthought.
• Sample flat walkthroughs — briefed, scripted and delivered as a distinct asset rather than a cutdown afterthought.
• CGI walkthroughs — briefed, scripted and delivered as a distinct asset rather than a cutdown afterthought.
• Channel partner decks — briefed, scripted and delivered as a distinct asset rather than a cutdown afterthought.

02

What good looks like in this sector

Walkthrough video shortens the path from enquiry to site visit.

We plan the work backwards from the decision you need the viewer to make. In real estate, the most common failure is a film that is technically excellent and commercially silent — beautiful footage that never states the proposition. We test the script against the buying decision before the camera is booked.

03

What green screen video production actually involves

Chroma key production with spill-free lighting and same-day keyed previews.

We plan the work backwards from the decision you need the viewer to make. For green screen shoots, that means deciding early whether the film is doing persuasion work, explanation work or proof work — because those three jobs need different structures, different running times and different crews.

A typical engagement runs 2-3 weeks and is delivered by dop, gaffer, compositor, prompter operator. The technical package is built around chroma cyc, kino flo bank, live key preview, scaled up or down against the brief rather than the invoice.

04

What you receive

Deliverables are agreed in writing before the shoot, so nothing is negotiated after the fact. The standard package for green screen shoots includes:

• Keyed masters
• Virtual set composites
• Alpha channel exports

05

How we run the project

Six stages, each with a named owner and a dated checkpoint.

• Pre-production: Recce, permissions, casting, art direction and a call sheet issued 72 hours ahead. Everything that can be decided before the shoot day is decided before the shoot day.
• Production: A crew sized to the brief. We shoot to the edit, capture protection coverage, and review selects with you at wrap.
• Post production: Offline cut, client review, online conform, colour grade, sound mix and graphics. You see the film at rough cut, fine cut and final.
• Delivery and measurement: Platform-specific masters, captions, thumbnails and an asset index. We review performance after 30 days and feed it into the next brief.
• Discovery: A 90-minute session with the people who own the outcome. We leave with the audience, the proposition and the single action the film has to drive.
• Strategy and script: A written treatment and shooting script, reviewed against the brief. Two revision rounds are built into the schedule so feedback does not delay production.

06

Investment and what moves the number

Green Screen Video Production projects typically sit between Rs 90K - Rs 7L. The variables that move that figure are crew size, number of shoot days, cast and location fees, and the depth of post production.

We quote in three tiers against the same script so you can see exactly what an extra day or an extra grade session buys. What we do not do is win the brief on price and rebuild the margin through change requests.

• Included as standard: footage backed up in triplicate before the unit leaves site.
• Included as standard: colour and audio finished in a calibrated suite, not on a laptop.
• Included as standard: delivery specs matched to each platform, not one master for everything.
• Included as standard: a named producer who answers the phone on shoot day.

07

Where we film real estate projects in Mumbai

Sector sites cluster in specific pockets of the MMR, each with its own access process.

• Old Panvel (Navi Mumbai) — Dense wholesale and retail trading markets with generational family businesses. Anchored around Old Panvel market. Demand runs to explainers, training modules and investor-facing films. Market association clearance plus ward permission for public lanes.
• Khanda Colony (Navi Mumbai) — Neighbourhood retail, clinics, schools and family-run businesses. Anchored around Khanda Colony sectors. Clients here commission campaign films, retail loops and category videos. Society NOC for interiors and ward permission for street-level exteriors.
• Ulwe (Navi Mumbai) — Planned townships and new nodes with wide roads and modern architecture. Anchored around Ulwe node. The mix leans towards documentary-style films, culture content and CSR stories. Township or CIDCO permission for public areas; estate pass for gated pockets.
• Dronagiri (Navi Mumbai) — Warehousing, transport and last-mile logistics operations. Anchored around Dronagiri node. Work here is usually process films, safety content and trade-show loops. Warehouse operator NOC and a forklift-zone safety briefing.
• Juinagar (Navi Mumbai) — Office towers, business parks and multinational back-offices. Anchored around Juinagar station. Requests cluster around leadership interviews, annual films and internal comms. Building facility desk approval and a security-cleared crew list.

08

Five ways real estate green screen shoots projects go wrong

Most failed video projects fail for the same handful of reasons. These are the ones we plan against.

• Shooting without a distribution plan: A film with no media plan and no owner on the marketing side quietly dies on a shared drive.
• Underestimating audio: Viewers forgive soft focus. They abandon a video with bad sound within seconds.
• Skipping the recce: Most Mumbai overruns trace back to a location nobody visited before the shoot day.
• Briefing a format instead of an outcome: Asking for a two-minute corporate video is a specification, not a brief. Start from what has to change in the viewer's mind.

09

Working with us

We are a Mumbai production company that works to a written scope, a fixed schedule and an agreed deliverable list. Briefs come in from marketing heads, founders, HR leads and agency partners, and all of them get the same first step: a conversation about the outcome.

If a video is not the right answer, we will say so. That has cost us projects and won us clients.